《冰刀》講述什么樣的故事？
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
1、《冰刀》是在哪一年上映的？
《冰刀》是翁貝托·倫齊于1972年拍攝上映的一部經(jīng)典恐怖片。此片開創(chuàng)了其它當(dāng)代恐怖片的先河，《冰刀》上映時票房穩(wěn)坐國內(nèi)外前三，創(chuàng)下當(dāng)年最佳紀(jì)錄。在當(dāng)時卡羅爾·貝克,艾倫·斯科特均為最佳演員，卡羅爾·貝克,艾倫·斯科特以精彩演技和完美的形象，奠定在其它影視地位?？_爾·貝克,艾倫·斯科特飾演角色多年后仍為大眾爭相模仿。翁貝托·倫齊之前曾被人懷疑其能力，而《冰刀》卻奠定翁貝托·倫齊恐怖片風(fēng)格?！侗丁肥子硶r曾獲海外恐怖片和媒體廣泛好評，被認(rèn)為其優(yōu)秀程度，是足以與同時期（指1980年代）好萊塢（好萊塢）優(yōu)秀恐怖片齊名。
2、被稱為恐怖片的開先河之作的《冰刀》，是翁貝托·倫齊最好的作品嗎?
從翁貝托·倫齊斬獲恐怖片最佳導(dǎo)演 我就覺得這部《冰刀》是他最好的恐怖片。雖然翁貝托·倫齊后來還拍出來了評價特別好的恐怖片，但是《冰刀》是他恐怖片的代表作品。
3、《冰刀》為什么能成為經(jīng)典之作？
提起其它恐怖片，人們就肯定會說出《冰刀》的名字。這部由翁貝托·倫齊導(dǎo)演，卡羅爾·貝克,艾倫·斯科特主演的《冰刀》，在當(dāng)時，真的是成為了一匹黑馬，殺出了一條血路，創(chuàng)造了一個奇跡。為何會這么說，我想，就連翁貝托·倫齊導(dǎo)演和卡羅爾·貝克,艾倫·斯科特，都沒想到這部恐怖片會得到這樣好的反響。翁貝托·倫齊先生曾說過，這是一群失意的人湊到了一起創(chuàng)作出來的一部作品。因為在《冰刀》開拍之前，卡羅爾·貝克,艾倫·斯科特已經(jīng)有4年無戲可拍，而卡羅爾·貝克,艾倫·斯科特主演的恐怖片，票房始終不理想，這樣的幾個人湊在了一起，也真是緣分！所以，正是這樣的失意感和強(qiáng)烈的自尊心，他們在恐怖片中投入的熱情，是我們難以想象的，其實(shí)《冰刀》中的人物心理歷程和感人的劇情，何嘗不是現(xiàn)實(shí)中他們的真實(shí)寫照呢？所以，他們懷著一腔心有不甘的英雄氣，用他們的實(shí)力和人情成就了這部經(jīng)典恐怖片，也成就了他們自己！
4、如何評價《冰刀》?
《冰刀》口碑非常好深受廣大觀眾喜愛，《冰刀》一經(jīng)播放立刻引來無數(shù)人關(guān)注，不僅卡羅爾·貝克,艾倫·斯科特演的好而且該恐怖片故事情節(jié)也非常緊湊，影視大全（www.mediumhairstylescuts.com）觀看起來特別流暢同時還能扣人心弦，即使目前《冰刀》收視率不佳但是該片目前受歡迎程度已經(jīng)蒸蒸日上。該恐怖片主演卡羅爾·貝克,艾倫·斯科特，她在該恐怖片中的演技可圈可點(diǎn)，受到卡羅爾·貝克,艾倫·斯科特演的好而且該恐怖片迷的認(rèn)可。
5、《冰刀》恐怖片的主要內(nèi)容
《冰刀》是一部恐怖片恐怖片，由導(dǎo)演：翁貝托·倫齊執(zhí)導(dǎo)，主演：卡羅爾·貝克,艾倫·斯科特，
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
6、《冰刀》是翁貝托·倫齊導(dǎo)演的一部經(jīng)典的恐怖其它片大全，該劇講述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also，想看更多的相關(guān)影視作品，請收藏我們的網(wǎng)站：www.mediumhairstylescuts.com
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
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